Front Lines

Thick, natural eyebrows and lashes
Photograph: Baard Lunde
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From Dolce & Gabanna and Dior to Anna Sui, runways are going gaga with stylised and XXL eyebrows. And makeup artists like Pat McGrath and Tom Pecheaux are exercising their creativity to support the trend. Natural, gelled, smoked, platinum, golden or geometric eyebrows… The choice is yours to make.

Natural

A baroque metallic eye
Photograph: Baard Lunde

Thick and sparse like at Valentino and Mary Katranzou’s shows, these are eyebrows in their purest form, with an added gel effect.

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Baroque

Bleached android eyebrows
Photograph: Baard Lunde

The eyes are embellished with a smoky, bronzed or metallic effect, just like at designer Maxime Simoens’s Spring/ Summer 2014 runway: Think out-of-the-box and include the eyelid in the overall effect.

Android

A gold eyebrow
Photograph: Baard Lunde

Futuristic bleached, platinum eyebrows, as envisioned by designers at Alexander McQueen, Prada and Saint Laurent. Or even pastel, as seen at Balenciaga. Android brows are making all the noise on the face right now.

Gold

Graphic black eyebrows
Photograph: Baard Lunde

The gold eyebrow has become quite the staple at the house of Christian Dior. The overall effect is that of opulence and extreme sophistication.

Graphic

Eyebrow palettes, pencils and serums
Photo: DR

Geometric and surrealisminspired, like at Céline Spring/Summer 2014, the eyebrow takes on a more radical and rebellious avatar.

Photographs by Baard Lunde. Model Merethe from Donna Ionna Hair Hélène Bidart Makeup Damian Garozzo, with Dior Makeup Assistant Aya Murai Photo Assistant Mikael Fakhri

From top to bottom: Eyebrow palette, four powders, long-lasting effect, Guerlain. M2 Brows eyebrow rejuvenating serum, M2 Beauté. 1Sculpting eyebrow pencil Blond cendré 20 (4 colours), Chanel. Structure and shine Brow Styler Gel 001, Diorshow. Gimme Brow Medium volume gel (2 colours), Benefit.

From the February 2014 issue of L’Officiel India.

Marion Renard and Prerna Singh

Writing for L’Officiel India.

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