Handcrafted Sustainability

Handcrafted Sustainability

A London College of Fashion, UK graduate, Karishma Shahani Khan founded her eponymous label, Ka-Sha in 2012. Inspired by India’s culture and heritage, she re-interprets her designs as functional, contemporary fashion. Sustainability is a key focus in her work and is not just limited to the use of natural fibres. With a strict no-waste policy, she upcycles the waste from one line and reinvents them as patchwork jackets, footwear and rugs for her ‘Heart to Haat’ initiative, as well as accessories for her collection. 

We speak to her as she unravels her love for design, keen eye for a greener future and her endless romance with handicrafts. Edited Excerpts...

Launching a label soon after graduation, what made you take such a risk? 

I had been studying for a long time and wanted to put things into a more practical perspective. For me fashion has always been a way of portraying my emotions on textile.  And luckily, it happened very organically, I finished college, participated in a show and that’s how I went forward with the entire process.

From London to the Indian market, how difficult was the transition? 

It was a difficult transition. But I believe that we in India, are a little behind in the world of design. People do not take the business and education of fashion seriously here, so it often becomes limiting. As a designer I wanted to provide a different perspective to people, and try to instill the belief that fashion has different connotations for everyone. It’s about creating clothing that helps people be more comfortable in their own skin. 

But in the last couple of years, we know of many young designers coming up with fascinating work, everyone’s designs are quite different from each other. So the entire language of Indian fashion is actually getting more interesting with each passing year.

What was the biggest challenge in setting up Ka.Sha? 

Educating the customer was one of our biggest challenges, and trying to reach out to more people from where we are. We were trying to build something that is more sustainable and wanted people to understand it’s true value. The treasure of handloom and why things cost a certain amount of money, is because we are paying people fairly, working with talented artisans, and making the masses at large understand the fabric choices.

What does your label stand for? 

It is about where I come from and about all the things India has to offer without being stereotyped, but in a diversified way. It is also about empowerment, as sustainability has more to it, than what people know of. It speaks volumes about the way you treat people and work with them, the type of inclusivity you have within is what speaks of you as a label. 

We believe in the idea of reversible products which narrate a story and the idea of a textile being completely handmade. It comes under the big umbrella of sustainability but it is not just limited to being organic or inorganic, rather it is supposed stand for comfort, functionality and most importantly where I come from.

What made you go the sustainable route and what would make more and more people take it up? 

I think because it is the ideal way to go. In India we have been practicing it for years, I remember our grandmothers would keep garments for decades for the next generation when they get married. And if that is not sustainability then I don’t know what is. We have always utilised and reused products till the end and it is an inherent Indian trait. 

Now more people are following it because not only is it a great trend but also way to educate customers at large. And our industry is the second largest polluting industry in the world so it is essential for fashion and sustainability to go hand in hand.

‘Heart to Haat’ aims at creating heirloom pieces, how did you get that idea? 

‘Heart to Haat’ is a direct result of what Ka.Sha stands for, the idea was to create a label which is completely zero waste. Now we are collaborating with designers at large to help them manage their waste. We create pieces that are functional, up cycled and can be worn on a day to day basis. We are trying to change the stigma around the word organic, and making it more artistic and fun. 

Your label operates with a commitment to a zero waste policy, everything is used and reused. How do you think are you playing your part as an ambassador of responsible sustainable fashion? 

I think we are just doing our work, and at times you come across someone who imbibes the idea of the possibilities of a greener world of design. The aim is to just let people know the story behind every ensemble, where it comes from and who makes it. It is less about me and more about the 20 other people who have handcrafted it. 

Chitman Kanwar Ahuja

Chitman Kanwar Ahuja is a feature writer at L'Officiel India. She is a silver jewellery hoarder and an aesthete of all arts. You can find her unraveling new stories day in and day out.